27

Dec. 23rd, 2025 02:19 pm
[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

We have a tradition on Athena’s birthday that we would wake her up with a cake and candles, going back to the days when she had no idea when her birthday was, so it would be a total surprise to her. This year there was a complication to that tradition: she has her own house now. That said, the house is only about a mile from ours, and it was hinted that early morning cake would not be looked amiss, so, yet again the tradition was upheld. I can’t say how long this will go on, but we’ll enjoy it while it does.

Also a tradition: Me saying here how great I think my kid is, and how of all the kids I could have been a parent of, she’s the best of all possible kids for me. This continues to be true! I know she has a lot of cool stuff planned for 2026 and I’m glad to get to be part of some of them. In the meantime: She’s great and I love her. If you want to wish her a happy birthday in the comments, that would be swell.

— JS

[syndicated profile] snopes_feed

Posted by Izz Scott LaMagdeleine

Rumors about Jeffrey Epstein and his alleged connections swirled this year. These ones stood out to our newsroom.
[syndicated profile] snopes_feed

Posted by Rae Deng

Caprio died in August 2025. A video of him apparently telling a story about sentencing the youngest Trump son circulated just a few months later.

(no subject)

Dec. 22nd, 2025 08:20 pm
bitterlawngnome: (Default)
[personal profile] bitterlawngnome
I can feel it happening. Many artists enter - usually at the end of their career - a phase where they no longer govern themselves by the rules they know will make their work intelligible to others. Nowadays I often find I just want to photograph the light sliding across the backdrop from morning to night. It won't mean a damn thing to anyone else. But it's the utter essence of photograph, the light at an exact place and time.

iPhone, day 3

Dec. 22nd, 2025 10:59 pm
cellio: (Default)
[personal profile] cellio

In my last post I talked about the sudden death of my Android phone (again) and my pursuit of an iPhone, which was stymied not by Apple but by T-Mobile. That was Thursday. On Friday morning I returned to the Apple store soon after opening time, this time with a backpack full of auxiliary hardware (tablet for an authenticator app, old mostly-broken phone that could still take a physical SIM card, iPad for Apple login on another device, and by the way my existing phone charger to confirm I didn't need to buy a new one).

It took almost two hours, but we got past the T-Mobile hurdles so I could walk out of the store with a working phone. I'd already decided there was no way I was buying it from T-Mobile (and I suspect it would be locked if I did), and neither I nor the employee who was helping me felt good about "buy it here, take it there, hope they do the right thing". I have many colorful things to say about T-Mobile...later.

For the locals: Mikey in the Shadyside Apple store is fabulous. This was customer service way above and beyond what I've experienced at other tech providers. Mikey was knowledgeable, empathetic, and cheerful even when T-Mobile was screwing with us. I really hope the feedback I gave on the customer-service survey contributes to Mikey getting some recognition. And this is in stark contrast to previous phone vendors, who, if you can get a human at all, will just tell you to ship the phone back to them at your expense, or buy a newer model, or otherwise do what is convenient for the vendor but not the customer.

I bought the iPhone 16E; it's the most affordable current model, but it's still a lot more than I've paid for a phone before. On the other hand, Dani has had his current iPhone for a lot longer than I had my previous Pixels (both of them). Maybe a mid-range phone costs $100/year and the replacement schedules are different between Android and iOS.

So, the actual iPhone. I've used an iPad, so I was a little familiar with the environment, but using a phone is different in some important ways. There are definitely things I'm not used to; some might be better, some worse, and many merely different and I just need to get acclimated. Initial stream-of-consciousness impressions:

Setup was pretty straightforward, carrier issues aside. No surprises from the first phone call and first text message. I couldn't import anything from my dead Android phone, but the iPhone knew about apps I had installed on the iPad, so that helped. I can access anything in Google's cloud storage by installing their apps (e.g. for photos). I haven't figured out if I can recover text messages.

The default keyboard does not include period and comma on the main screen. What the hell? Is this why so many text messages blow off punctuation?

I am used to a global "back" button, not just for browsers but for everything -- pop out of map navigation (while staying in the map app), go back to your photo gallery from looking at an individual photo, etc, with the top-level "back" being "exit the app". Apple does none of that -- they rely on the individual apps to provide navigation, so if an app doesn't have the "back" concept, you can't do anything. And apps, of course, can and do change the UI -- maybe there's a "back" button and maybe it's in the top left corner, or maybe you're expected to navigate by controls across the bottom for different views, or maybe it's something else. Android apps had those variations too, but there was always the phone-level "back" button. I miss it.

There's also no "home" button (take me back to the desktop). You leave an app by swiping up from the bottom of the screen. I sometimes have to try a couple times; I haven't yet found the magic "sweet spot".

There is a gesture, also involving swipe up from the bottom, to see all the apps that are running and allow you to really close individual apps. This was the third sticky button on Android. I haven't quite figured this out on the iPhone yet; sometimes I stumble into it, and often the screen shakes at me to tell me it didn't understand what I was trying to do. Learning curve... Also on the learning curve: apparently on the iPhone you swipe left to dismiss notifications, not right? Neither is better; it's just an adjustment.

Settings are weird. A lot of apps don't have any control for accessing settings, even when apps clearly have settings. I had to ask Mikey about that. It turns out that the system-level settings -- where you control things like display, sound, passcodes, etc -- also has a section for app settings. To add a non-default calendar to the calendar app, instead of using the non-existent in-app settings, I go to Settings -> Apps -> Calendar and poke around in there. On the other hand, some apps do have in-app settings, so you have to hunt around for them.

Apple is very much still in the world of "we think this design is intuitive and therefore you don't need any assistance". I had to do web searches to find documentation on what some of the glyphs mean. There's a "control center" (similar to Android) where you have quick access to things like toggling Wifi, Bluetooth, and dark mode, and changing brightness and text size and volume, and a bunch of other stuff. The iPhone offers more options than Android and the layout is highly customizable. They have some cute ideas, like apparently there's some tool for "identify the music that's currently playing", which I think means in your environment and not Spotify, but I haven't explored it yet. Almost all of this involves graphics not text, though, and not all of their choices are as obvious to me as they were to their designers. There are three "disconnected box around a thing" glyphs; one's a QR-code scanner, one's a "tell me what this thing is" (uses camera and probably AI), and I'm not yet sure what the third one is.

This is me, so we have to talk about visual accessibility. This was the very first thing I tested in the store on Thursday, 'cause if that didn't work, nothing else mattered and I'd have to head back to Androidville. Mixed review here: adequate with some compromises, but there is more work to be done here. Specifically, fonts: there are two font-related toggles, normal/bigger and normal/bold. These affect displays in apps that pay attention to them, which they don't have to. Also, apparently the OS is not an app in this sense; nothing I did changed the text labels for the apps on the home screens. The text is "one size fits all". Yeah, you can reportedly magnify your entire screen, but that's not what I want (too much collateral damage). I mitigated this by changing the desktop from their colorful interferes-with-text wallpaper to solid gray. Unlike my Android devices, the iPhone doesn't have a built-in library of wallpapers; there's the default, or you can use a photo, or you can set a solid color. So, solid color it is; I'd've preferred something with a little more character (but also legibility), a balance I struck on Android, but oh well -- it's just wallpaper, not something important.

There was something small and light gray that Mikey had to point out to me in the store (would have missed it entirely), but I can't now remember what it was. I suspect there will be more of that sort of thing.

Ok, apps. I was migrating from Android, so I couldn't just bring all my apps with me. There are iOS versions of most of the apps I used (not always identical), so I just had to look them up individually in the App Store and install them. Initially I did this from memory, which was frustrating, but then it occurred to me to ask my Android tablet if it could tell me about apps that weren't on that tablet but that I'd used. The answer to that turned out to be "yes". Some things I haven't found equivalents for yet; this will be a background process for a while, I expect. Critical stuff is mostly in place (I need to have a conversation with my bank about their app); nice-to-haves are trickling in.

I'm trying out some of the native Apple apps, particularly ones that could replace Google apps. Some differences are strange: in the Apple calendar app, how in the world do you get it to show you a month view like Google Calendar? I can get it to show me a couple days at a time (in list form, like a week view but not all week), but I want the month view. I haven't tried out the Apple apps for photos and maps yet, but plan to soon. The note-taking app seems fine so far. I can't imagine using Pages, Sheets, or Keynote on a phone, but they came pre-installed.

I couldn't figure out how to use Apple's email app with multiple accounts, but that's ok; I used Thunderbird on my Android phone, so I'll just install...what do you mean there's no Thunderbird app for iOS? (Beta coming soon, they say.) Ok, I found another client that'll do. Still hoping for Thunderbird later; I liked it on my previous phone and also use it on my desktop Mac.

My Android phone had a fingerprint reader for unlocking. It was flaky, so I often ended up having to enter my passcode. This iPhone has Face ID, and so far it's worked flawlessly for me. I asked Mikey how to temporarily disable it for situations where I'm worried about it being used against me (hostile agent has physical possession of your phone -- we can all imagine scenarios, I'm sure), and he pointed out that it always requires the passcode after restart. Good to know.

Speaking of restarting... I had to search the web. Mikey did tell me how to turn the phone off, but apparently I'd misremembered. On my old phone, a long press on the power button brought up a menu; on my newer Android tablet, you have to do it in software as far as I can tell; on the iPhone both are possible but the physical option involves both the power button and a volume button and then an on-screen slider. I guess people don't restart (or turn off) phones very often?

It's only been a few days (and one of those was Shabbat, a no-phone day), but so far the experience of actually using the phone has been smooth. It feels comfortable and even pleasant at times. My Pixel's 5G connection was sometimes flaky and would drop out at the most inconvenient of times (like while trying to navigate); I haven't taken my new phone on any big outings yet, but so far I'm not seeing these problems when out and about. There are some initial weirdnesses, but I think I'm going to like this a lot better than my Pixel.

More thoughts later as I settle in.

[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

So, a story. More than a decade ago, I was having lunch with Tom Hanks, because he read my work and was a fan, and since I was in town on tour, he asked if he could meet me and I said, sure (actually, what was said, to me from my manager as I was getting off a plane at LAX, was, “You’re going to the Chateau Marmont. You’re having lunch with Tom Hanks. Don’t fuck this up”).

Tom Hanks was lovely, the lunch was lovely, and when it was done, as he was waiting for the valet to retrieve his car, some absolutely random dude came up, pulled out a binder, and started pitching a movie idea to Tom Hanks. And Tom Hanks, because he is Tom Hanks, for all the values of being Tom Hanks that there are in this world, stood there being lovely and polite and endured this random person posting up in his space and trying to make him take a meeting.

I relate this anecdote not to impress you that I once had lunch with a famous person, but to make the point that famous people really are not like you and me, and more often than not, that’s because the world will not let them be people like you and me. People like you and me don’t get pitched business proposals waiting for our car. People like you and me are allowed not to be “on” when we step outside our door and into the world. People like you and me can go shopping at any random Safeway we want and not cause a scene simply by existing. People like you and me get to be people, and not celebrities all the time. Yes, celebrities get fame, and sometimes fortune, and occasionally nifty free goodie bags at award shows worth more than most households in the US make in a year. But it does come at a cost, which is, the ability to just be your own fucking self, at the times and places of your own choosing, and not have anyone who might recognize you wield veto power over that.

Notting Hill, in addition to being just a lovely little romantic comedy about two people from entirely mismatched stations in life, trying to negotiate a space in the world they might get to call their own, is one of the best films out there showing at least a little bit of what it’s like to be famous to everyone, everywhere, all the time, forever and ever, amen. The person in the film cursed with such a blessing is Anna Scott (Julia Roberts, who was in fact the most famous actress in the world at the time, so, typecasting), who has the sort of worldwide fame that means that every single thing she says, any thing she does, who she might date or who she might have a feud with, equals miles and miles of newsprint across six separate continents, and probably at least an email or two in Antarctica.

One day, while in London doing publicity for her latest film, she wanders into a Notting Hill travel bookshop owned by one William Thacker, who is meant to be a self-effacing everyman but who is played by Hugh Grant, also at the height of his fame at the time, so at least the self-effacing part is there. William tries to be helpful to Anna as she browses, and she is having none of it, because she knows he knows who she is and thus her shields are up. Then later in the street there is an incident with an orange drink, William offers his flat, directly across the street, as a place for Anna to clean up, and the first spark is lit.

To say that there are going to be complications because Anna is famous on a level that is nearly beyond comprehension is not a spoiler; likewise that there will be complications because William underestimates, more than once, what a burden being that level of famous can be and how it can warp and distort friendships and relationships, even as the people involved try to compensate for them. Any relationship is hard, but being with a celebrity is like being in a throuple where the third partner is fame. And fame, well, it’s a fickle, fickle beast.

Nevertheless, it’s a delight to see everyone in the film give it a go. The film is scene after scene of either William trying to comprehend all of the everything that comes with the girl he likes being The Most Famous Person In The World, or Anna trying to be a normal person and not quite being able to do it because no matter what she does, her celebrity hangs all about her. This leads to delightful scenes like William trying to meet up with Anna at her request and unwittingly being dragooned into a press junket (a scene which I, as a former film writer who had been to dozens of such junkets, found deeply hilarious), or, one of my favorites, William taking Anna to his sister’s birthday party without telling a single one of his friends who the “new girl” he’s dating is, and watching them deal with it, with varying shades of success.

The dinner party scene is actually the heart of the film because it does so many things at once: It establishes Anna’s level of fame while at the same time giving her a little bit of time to escape it and be off the clock. It gives context to William by showing his friends and relations, and lets them all have the easy back and forth that comes from a lifetime of knowing each other. It also shows Anna watching it all, and, while not envying it, still noticing it and being able to compare it to her relatively lonely life.

And it shows that everyone in this scene is kind, and that others are noticing this kindness. This is the scene where we stop enjoying the utter mismatch of William and Anna, and start hoping the mismatch doesn’t keep them apart. Lord knows the film gives the two of them plenty of opportunities to mess things up, and they manage to do just that at least a couple of times.

Roger Michell directed Notting Hill, but it takes nothing from him and his skill as a director here to note this film is primarily a Richard Curtis film. Curtis is probably the most successful writer of British film comedy in the last 40 years, and most of these comedies have some sort of romantic bent. In addition to this film he wrote Four Weddings and Funeral (the film which made Hugh Grant a star, and which got Curtis his sole Oscar nomination), Love Actually, which he also directed, and two of the three Bridget Jones films. (He also wrote the Blackadder television series, beloved by Brits and US nerds, and also The Tall Guy, which is where I first encountered him, the vaccination scene of which I ripped off wholesale for my novel The Kaiju Preservation Society. I will send you a check, Mr. Curtis).

Of all of these films, I think Notting Hill shows Curtis at the height of his screenwriting powers. It’s extremely funny, which is great (especially when Rhys Ifans, as William’s daft roommate, is anywhere onscreen), but it’s also empathetic. It’s hard to do a really good job of making an audience feel sympathy for someone who is so famous that by all rights all that we should feel about her is envy, but Curtis does it. It helps that by this time he had been around famous people enough to understand that celebrity is cage. Gilded, yes, and with staff who will get you everything you want and need, but still a cage. He writes a good cage.

It also helps that this role could be thinly-veiled autobiography for Julia Roberts, who at the height of her celebrity was a media presence on par with Taylor Swift, for all the good and bad that comes with that level of fame, achievement and scrutiny. In 1999, there was literally no one else who could have understood Anna Scott better than Roberts. I have to think there are some parts of this movie that had to be cathartic for her, like the scene where, after a media scandal erupts and William is caught up in it, he suggests it will all just blow over in days. Anna knows better, and so does Julia Roberts, and I think it’s pretty clear both are making the rebuttal to William’s misinformed take.

The gilded cage of celebrity life in 2025 is, if anything, more solid than it was when this film came out. Miles of newsprint have been replaced with hours of celebscrolling on Instagram and Tik Tok, where famous people have to actively manage their online personas, or cede the management of it to a mob of influencers and bored social media mavens who are not their friends, no matter how close they imagine their parasocial relationships are. More people have wide fame (there are YouTube and Tik Tok celebrities who I’ve never heard of, but millions of Gen Z and Gen Alpha people have), but it’s harder than ever to make the money that used to be associated with fame. So all a lot of these newly-famous get is a grind to stay top of mind, and a lack of privacy, and, eventually, a very profound burnout.

It doesn’t sound like a lot of fun to me. At least Notting Hill suggests that sometimes, if you’re lucky, and with the right people, you might get to slip out of that gilded cage, and, if only for a moment, be your own person again. Fame is nice. Love and community is nicer. May everyone, even the famous, get to have it.

— JS

[syndicated profile] snopes_feed

Posted by Taija PerryCook

A social media account with a history of publishing clickbait shared the image, claiming the Justice Department "forgot to delete it."
[syndicated profile] snopes_feed

Posted by Jordan Liles

Social media users shared alleged photos of Macaulay Culkin, Joe Pesci and Daniel Stern meeting for coffee and dessert.
[syndicated profile] snopes_feed

Posted by Taija PerryCook

Israel's deal with Havas Media Network and Clock Tower X aims to push content "combatting antisemitism" to Gen Z on TikTok, YouTube and more.

Quilted book cover

Dec. 22nd, 2025 04:29 pm
meningioma: (MISC - snow)
[personal profile] meningioma in [community profile] everykindofcraft
Made this little quilted book cover for my sister
Read more... )
goodbyebird: Pluribus: Carol wearing a Santa hat and a decidedly grumpy expression. (Pluribus carol of the bells)
[personal profile] goodbyebird
+ Had an extended family dinner today and got to listen to my lovely aunt and cousin talk about how great ChatGPT is, how she's using it to plan a girl's trip to Italy, and how helpful it'll be for writing the speeches at my grandmother's funeral. Fucking shoot me into outer space strapped to a rocket.

+ Got to see the latest Avatar movie at the cinemas. My least favorite of the three, lacking the genuine awe and beauty of the world. What they did try just felt forced, and one character in particular should have been left to die in the second movie ugh.

+ Big plus for the cozy and hazily lit curtain fic promo trailer thingy they did before the movie. IYKYK. Kinda made me wish I had an ear to the ground in that fandom still.

+ I think I've successfully broken through my iconning block!! Shout out to dysfunctional vampires and dysfunctional lesbians.

+ BIG psa: Apple shifted Pluribus to air on the 24th, two days earlier than usual. I'll have to get up extra early to see it before 2 Nøtter Til Askepott, because if not I'll be thinking about it and wanting to all day lol. It's been such a good series for me to watch? There's this whole thing where there's two wolves inside of me, one appreciating the thought and care put into every decision, and how slow it's allowed to move, the second wanting to pick into every detail and tear through it. Both enjoyable in different ways!

I have watched every episode a minimum of twice. It may be my new comfort watch show?¯\_ (ツ)_/¯

❄️ ❄️ ❄️ ❄️
Rec-cember Day 22

Pluribus I'd say spoilery for last week's episode. )

Profile

nonelvis: (Default)
nonelvis

December 2025

S M T W T F S
 1234 56
78910111213
14151617181920
21222324252627
28293031   

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Dec. 29th, 2025 12:52 pm
Powered by Dreamwidth Studios